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Saturn's Rings Got Replaced By An Ad

by Daniel Ruiz

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  • "Se me ha caído el whiskey en el pienso del gato" es mi primer libro, una colección de dieciocho relatos cortos y poemas, publicado por Letrame.

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1.
eastern beauty ecstasy queen the sapphire eyed beast whose bare sighting buckles my knees an apparition from the woods spinning ballerina dressed in blue jeans disrupts the pulse of my heartbeat and makes it sound like her spiral-shaped freckle nebula sends my judgment on the run she’ll dress my mind up as a jaguar and let it loose throughout the hall vanilla colored psycho dreamer altered state of mind diehard fan she’ll prescribe some pills to you that’ll make you dance like and she’ll disappear like a black cat into the night and she’ll try to steal several hearts in a crowded bar and she’ll fade away like the sand in an hourglass and she’ll lacerate your heart with her naked hands angelical countenance with a devilish mindset she can drink all of your blood like wine and have your soul for dessert Beatrix Kiddo impersonator MDMA’s longtime friend she’ll ride you like a trial bike swinging her hips like
2.
remember when we used to go to the beach at night to get drunk and high and even though we never made love I still think about those times a lot I guess I’m not that obsessed with sex sometimes remember when we found that cat sleeping in the alley looked like shit, covered with flies we laid waste to those sons of bitches and you gave him milk while I drank wine and scratched his back I wonder what he must be thinking about probably you, too and I wonder where the hell does time go yesterday I was a fucking kid and now I’ve had cancer twice I have to look out for a job before my old man kicks me out remember when we were at your place the afternoon that bird crashed in your window we were so high we thought God was sending us signals so we hid under the bed outta the reach of God and even real beings like you sister in the room below remember when we used to go to the beach at night to get drunk and high we would bring a towel so we wouldn’t get our asses full of sand but one day I forgot mine so we used yours and we were so close I really miss that and I wonder where the hell does time go yesterday I was a fucking kid and now I’ve had cancer twice I have to look out for a job before my old man kicks me out
3.
Nina 04:24
Nina, slow dancing in the shadows of a party that’s about to end you call me with your gaze, knowing the rules of the game which you want to play and i behoove, what could i do? as if there was an option that did not involve following you as if there was a life to be lived carrying the weight of the regret of not even trying Nina, you know i’m not a dancer but if you insist i don’t mind being taught by you and as you put my hand in your back i can’t help but wonder how far could it go we move through the room, tiptoeing around the drunks who are laying on the floor like a two headed cat with a bird in its mind, trying not to make a noise a step in the sand, your hand next to mine a vision, a trace try not to forget the dance of the seagull, the tango of the waves the deafening silence a forbidden exchange New York in the winter, stolen Chardonnay a prayer, a window your red negligee saxophone romance, Russian roulette coke in the bathroom remember my name Nina
4.
sunny day, she lies awake as the rays of sun ignite her face 400 dreams about a place, a thousand graves, a vacuum space unmatching socks on a feetless child the wheelchair squeaks, her mother sighs a dog runs loose between the pines but the wind still carries your scent of lime seven sisters got out of bed, seven caps, one for each head a daily procession, a cyclic mirage, the youngest the first, the oldest the last a pair of gloves in a wooden box a scream arises as a gun goes off the microwave dings but there’s nothing inside but the wind still cries your name every night there’s water on Mars, or that’s what they say, it might’ve gotten there on a rainy day 400 suns, all of them in shades, are stalking you from outer space Saturn’s rings got replaced by an ad in which an elder woman wears a funny hat the galaxy’s ritziest amusement park but the popcorn the sell reminds me of your eyes
5.
Hannah walks across the street staring at her feet her long legs, growing out of her skirt, avoid the puddles with ease the cars pass by, splitting the night in half with their bright headlights she knocks on a door from which emerges a voice: “it’s open, come inside” Mark awaits lying on his couch, his socks are brown as Hannah hangs her coat, he gets up, puts some music on she opens her purse and reaches within for two Buddha-shaped pills they swallow them both, easing them up with some rum, and they lay on their backs and everything makes more sense than it has ever made her porcelain soft skin on the sheets of his unmade bed the path of his fingertips in their way through Hannah’s hair and those sneaky goose bumps as they get hit by wave after wave a narcotic waltz, a slow-mo dance disrupts the shape of time his hands on her waist, a necklace of arms hung from their subtle sway her black amber eyes, a crystal swamp, an onyx suicide reflecting Mark’s face as he gazes upon her dangling locks of hair and everything makes more sense than it has ever made her porcelain soft skin on the sheets of his unmade bed the path of his fingertips in their route through Hannah’s hair and those sneaky goose bumps as they get hit by wave after wave
6.
trickling down my silver flask those drops of gin, they did not last as the rain poured on me and the moon gazed straight into my left eye so I hid underneath the arch you know, where we used to fool around, those old times and it’s almost as if you were here again wrapped into my arms with a bottle of wine jingling by our side I know it’s late and I’ve had too much to be fair, these days I’ve been driving way too fast tailgating your memories so they yield the fast lane and let me pass and yes, I’m aware it’s been a while since the dawning sun last projected our shadows upon the beach’s crystal dust sand but anyways, I’m rambling on I guess that what I mean is that, lately, you’ve been hanging around my thoughts so maybe you’ll feel inclined to gimme a call when you hear this idiot babbling out of your phone

credits

released September 10, 2019

All instruments played by Daniel Ruiz, with the addition of:

Júlia Martín: drums on Ecstasy Queen, Remember When, Nina and Afterhours Transoceanic Voice Message
Narek Mnatsakanyan: Hammond B3 on Nina
Arnau Abadal: saxophone on Remember When

Published by Santa Rosa Records, 2019

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Daniel Ruiz Barcelona, Spain

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